Puzzle 70 · Exploring the Moon · Page 98 in print

Apollo 17

When Cernan broke a rover fender, he and Schmitt made a new one from four maps.

Jump to a word
An astronaut beside a United States flag on the Moon, with the small blue Earth in the black sky.

Harrison Schmitt beside the flag during Apollo 17, with Earth visible above.

NASA / Johnson Space Center (AS17-134-20384) · NASA media-use guidelines · Original record

The words

  1. America

    America was Apollo 17’s command module, operated by Ron Evans in lunar orbit. After Cernan and Schmitt returned from the surface, it carried the reunited crew home to Earth.

    NASA archive: Apollo 17’s spacecraft (opens a new tab)

  2. Blue Marble

    The Apollo 17 crew photographed Earth on December 7, 1972. Their color image, known as the Blue Marble, presented the planet as a single world set against the darkness of space.

    Did you know?

    NASA used the Blue Marble name again in 2002 for a mosaic built from four months of satellite observations, combining views of land, oceans, ice and clouds.

    NASA: the Blue Marble photograph and mosaics (opens a new tab)

  3. Challenger

    Challenger was Apollo 17’s lunar module. It sheltered Cernan and Schmitt during their surface stay, then lifted them from Taurus-Littrow to rejoin Evans in America for the journey home.

    NASA: Apollo 17’s return journey (opens a new tab)

  4. Eugene Cernan

    Eugene Cernan commanded Apollo 17 after earlier flights on Gemini 9 and Apollo 10. He explored the Moon with Schmitt while Evans carried out scientific work from lunar orbit.

    NASA archive: Apollo 17’s spacecraft (opens a new tab)

  5. Fender

    A rover fender kept dust thrown up by the wheels from covering the astronauts and equipment. When it broke on Apollo 17, Cernan and Schmitt needed a replacement to limit that dust.

    Smithsonian: the four-map rover fender (opens a new tab)

  6. Jack Schmitt

    Harrison “Jack” Schmitt was Apollo 17’s lunar module pilot and a trained geologist. He explored Taurus-Littrow with Cernan, applying his scientific background to the mission’s rock and soil investigations.

    NASA: Apollo 17’s return journey (opens a new tab)

  7. Laminated Maps

    Maps protected by a plastic covering.

    Cernan and Schmitt turned four lunar maps into a substitute fender extension. Joined with tape, the sheets served a new purpose as a shield against dust from the rover’s wheel.

    Did you know?

    NASA transferred this improvised fender extension to the Smithsonian in 1975. The museum object consists of the four maps and their connecting tape.

    Smithsonian: the four-map rover fender (opens a new tab)

  8. Last Step

    Cernan closed Apollo’s final moonwalk with a farewell expressing hope for peace and a future return to the Moon. He climbed back aboard Challenger after Schmitt, ending the surface exploration.

    NASA: Apollo 17’s surface exploration (opens a new tab)

  9. Night Launch

    Apollo 17 lifted off from Kennedy Space Center after midnight on December 7, 1972. It was the first Apollo launch at night, beginning the program’s final lunar landing expedition.

    NASA archive: Apollo 17’s spacecraft (opens a new tab)

  10. North Massif

    The northern mountain wall of Taurus-Littrow was a destination on Apollo 17’s third moonwalk. At Station 6, Cernan and Schmitt sampled fragments of a large boulder that had rolled down from it.

    NASA: Apollo 17’s surface exploration (opens a new tab)

  11. Ron Evans

    Ron Evans stayed aboard America to study the Moon from orbit while Cernan and Schmitt worked below. During the return flight, he went outside the spacecraft to retrieve camera film cassettes.

    NASA: Apollo 17’s return journey (opens a new tab)

  12. Shorty Crater

    Schmitt noticed orange soil at Shorty Crater during the second moonwalk. The astronauts collected it, and postflight analysis identified tiny, titanium-rich glass beads as the source of its unusual color.

    NASA: Apollo 17’s surface exploration (opens a new tab)

  13. South Massif

    Cernan and Schmitt traveled to the foot of South Massif during their second moonwalk. At the Nansen depression, they sampled boulders that had rolled down from the mountain.

    NASA: Apollo 17’s surface exploration (opens a new tab)

  14. Taurus Littrow

    Taurus-Littrow was Apollo 17’s landing valley near the edge of Mare Serenitatis. Cernan and Schmitt used the rover to investigate its terrain, collect lunar samples and deploy scientific experiments.

    NASA archive: Apollo 17’s spacecraft (opens a new tab)

  15. Tracy's Rock

    This fractured boulder at Station 6 was also called Split Rock. Cernan and Schmitt collected samples from it during their visit near North Massif on Apollo 17’s final surface excursion.

    Did you know?

    Alan Bean later painted Tracy’s name into a picture of the boulder, honoring Cernan’s daughter. Cernan said he had only wished afterward that he had written it there.

    Lunar Surface Journal: Tracy’s Rock (opens a new tab)

Sources

  1. Apollo 17 Command and Service Module (CSM)NASA Space Science Data Coordinated Archive; record 1972-096A; Description and Mission Profile, crew, night launch, landing valley and return; accessed October 25, 2026
  2. 50 Years Ago: Apollo 17 Heads Home to EarthJohn Uri; NASA Johnson Space Center; December 15, 2022; Challenger, crew roles, geology and Evans’s return-flight EVA
  3. 50 Years Ago: Apollo 17 Lands at Taurus-LittrowJohn Uri; NASA Johnson Space Center; December 12, 2022; second and third traverses, massifs, orange soil and final lunar-surface farewell
  4. Maps, Fender Extension, Lunar Roving Vehicle, Apollo 17Smithsonian National Air and Space Museum; object A19760010000; four-map replacement fender, dust protection, plastic construction and 1975 transfer; accessed October 25, 2026
  5. History of the Blue MarbleNASA Earth Observatory; October 13, 2005; Apollo 17 photograph and later 2002 satellite-data mosaic
  6. Geology Station 6Eric M. Jones; Apollo Lunar Surface Journal; revised August 23, 2014; station introduction and commentary following 165:28:58, boulder, Cernan and Bean painting; relocated journal host

How we choose sources and photographs